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In Pro Tools 10 Avid has introduced the option of opening multiple AudioSuite plug-ins simultaneously. In previous versions of Pro Tools, if you wanted to apply two or more AudioSuite plug-ins consecutively you would have to bring up the first, apply your settings, render the audio and then bring up the second plug-in to process the newly rendered clip. However, we find this a tedious task better suited to AudioSuite processing.
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You could, of course, automate the filter at this point, bringing the frequency up over any plosives and then quickly back down for the rest of the vocal. We will always use a high-pass filter set at around 80–120Hz depending on the vocal as part of the EQ chain and this may be enough to remove all of the plosives, but if any remain you may need to set the filter at a higher frequency, which if left there can take away some of the energy from the rest of the vocal part. However, one or two will often sneak through and they are especially common in live gig recordings. Most of the plosives in a recording can be removed with a pop filter and with good microphone positioning and technique during recording. This involves filtering out the low-frequency energy in a vocal performance with a high-pass filter. These new features make working with AudioSuite easier and faster, significantly improving the workflow options over previous versions of Pro Tools.Ī common task that we use AudioSuite for is removing plosives from vocal recordings. Pro Tools 10 brought new functionality to AudioSuite processing with the option of opening multiple AudioSuite plug-ins simultaneously, new render handles, and the ability to save AudioSuite chains and presets as Window Configurations.